Blossom Everywhere is made in response to the volatility and turmoil of social injustices occurring in Hong Kong.

The outlawed black facemask, the essential uniform of the Hong Kong protestor has become Pamela’s motif. Transformed into a flower and repeated, like the Hong Kong student civil disobedience, across the available space with fragile insistence. 

Symbolism, politics and sentiment collide as art in Blossom everywhere, posing the futile question of the artist’s intent. However, it is not that the artist is saying anything particular about the political situation in Hong Kong, it is that she is living with a meditation on a confrontation that is reconfiguring her idea of home.

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