I work with what remains: material, gesture, memory.
My practice spans mixed-media installation, performance and community engagement drawing on ubiquitous materials like paper, thread and feathers. Process is central, the act of making—repetitive and embodied is where meaning accumulates. Growing up and living between Hong Kong and Australia I navigate the in-between space of cultures, reaching towards a shared human experience.

Colour, particularly red, recurs as a language throughout my work. It appears across painting, installation and neon, at times it sits beneath the surface as a structural and conceptual foundation; carrying emotional, cultural and political resonance. I am increasingly drawn to moving image as a way of extending this inquiry into duration and time.

Across all my work I am interested in what making can hold that language cannot: belonging, loss, resilience and the quiet persistence of cultural identity.